When I first began to seriously read scripture, I immediately noticed the magic of its language. Certain words or passages enchanted me “unto the overpowering of [me] to read them” (Ether 12: 24). The elevated language of scripture lends a certain power to the spell of the gospel’s message. It’s abstract phrasing is the perfect medium through which the Spirit can transform mere ink on pages into the living word within our hearts. Thus, the gospel is not only good because it is the story of God, but it is good because it is well-written. Like a spell wrought upon us, it can move us and change us.
The modern mind is accustomed to information on demand and fast moving prose, like instant messaging, memes, news articles or novels; therefore, the slow, ponderous poetry in scripture may bore, annoy, and confuse us in the same way that waiting a couple of seconds for a buffering video stream does. Although not always evident and certainly not always appreciated, the precursor for revelation is often confusion. The promise “ask, and ye shall receive” presupposes a question; the person praying wants to know something they currently don’t or to know something to a higher degree of clarity or depth than they currently do (John 16:24).
Poetry is the perfect medium for creating blissful bewilderment. The oddities of its language create textual speed bumps that pause our otherwise hurried ascent through a narrative. Our pauses to ponder allow the Spirit to conjure up concepts and images in the swirling potion of our jumbled thoughts. And in this abstract stew created by poetic phrasing, multiple, even contradictory, meanings are possible as we drink deep the “inexhaustible gospel” . The gospel is made inexhaustible by an infinite atonement, but it is often inexhaustibly expressed through the convergence of spirit and poetry.
Poetry can magically transport us into the abstract spiritual world of “starkness” , a world full of stark contrasts, where realities are not clothed in language or time. A place where “all things whatsoever God has seen proper to reveal to us” he can “[reveal] to us in the abstract” . Spiritual landscapes turn our world inside out making our understandings susceptible to more epiphany-catalyzing moments. Sometimes seeing something askew can change the way we perceive the world, like Dickens’ epiphany from seeing coffee-room spelt backwards-“mooreeffoc” . In this state, the spirit can deliver our favorite, time-honored passages from an existence of continual triteness into novel applications with the suddenness and force of a lightening bolt.
The power of poetry, as it is paired with the Spirit, is not limited to merely transforming our perceptions of the scriptures, so that we can pull out an inexhaustible amount of applicable principles out of thin air. But the gospel’s spell can transform us from the inside out. Our God is a “God of miracles” who “answereth by fire” our scriptural inquiries and our “bosom shall burn” with the truth (Mormon 9:15-16; 1 Kings 18:24; and D&C 9:8). The scriptures are his tool to melt our hearts with poetic tender mercies and shape us into his likeness with repeated baptisms of spiritual fire. We can witness this magical transformation again and again as we seek God through continually studying his words that can be “made flesh” as we live them (see John 1:14).
 This phrase comes from a devotional address given at Brigham Young University on 18 August 1992 by Elder Neal A. Maxwell published in “The Inexhaustible Gospel”, in The Inexhaustible Gospel: A Retrospective of Twenty-One Firesides and Devotionals Brigham Young University 1974-2004 (Intellectual Reserves, Inc., 2004), 211-225 or click here.
 This term is defined beautifully by James L. Kugel as “the stark world of the soul” a place of “pitch-darkness and bright, bright light”. A “moonscape” a place “altogether eerie and uncanny”. A world that “is quite overwhelming”. For more on starkness, see Kugel, The God of Old: Inside the Lost World of the Bible (New York, The Free Press, 2003), 66-67, 140-142, 156-158.
 The Words of Joseph Smith: The contemporary accounts of the Nauvoo discourses of the Prophet Joseph, Andrew F. Ehat and Lyndon W. Cook, ed. (Kindle Edition), 112.
 J.R.R. Tolkien described the term Mooreeffoc, which is just coffee room spelled backwards, in this manner: “Humility is enough. And there is (especially for the humble) Mooreeffoc, or Chestertonian Fantasy. Mooreeffoc is a fantastic word, but it could be seen written up in every town in this land. It is Coffee-room, viewed from the inside through a glass door, as it was seen by Dickens on a dark London day; and it was used by Chesterton to denote the queerness of things that have become trite, when they are seen suddenly from a new angle.” In “On Fairy-Stories,” in The Monster and the Critics and Other Essays (London: HarperCollins Publishers, 1997) 146. Here is a blog that talks about this word and also uses this quote from Tolkien, http://americanchestertonsociety.blogspot.com/2006/09/mooreeffoc.html.